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Paradise eggs
Oksana Mas’ project has become a symbol of uniting people of different nationalities in times when the world is so unstable
Paradise eggs
Oksana Mas’ project has become a symbol of uniting people of different nationalities in times when the world is so unstable
About the project
From "Post vs. Proto Renaissance" to Paradise eggs
The jury and the press at the 54th Venice Biennale recognized Post vs. Proto Renaissance as the largest-scale project of the festival. The Ghent Altarpiece reproduced by Oksana Mas is assembled from wooden elements in the shape of an egg – the most ancient symbol of humanity
Post vs. Proto Renaissance
380 000 people participated in the painting of wooden eggs
The world’s largest recognized art installation
Dimension - 92 m high and 132 m wide
Post vs. Proto Renaissance
380 000 people participated in the painting of wooden eggs
The world’s largest recognized art installation
Dimension - 92 m high and 132 m wide
After ten years of exhibitions all over the world “Post vs. Proto Renaissance” is starting a new chapter. The Mas studio is facing the ambitious task of dismantling and reassembling the Paradise on Earth narrative created by Hubert and Jan Van Eyck
History
The Gheny Altarpiece by the Van Eyck Brothers
Hubert & Jan van Eyck, The Ghent Altarpiece, St. Bavo Cathedral, Ghent, Belgium *Open view
Hubert & Jan van Eyck, The Ghent Altarpiece, St. Bavo Cathedral, Ghent, Belgium *Open view
About the project
An incredible artwork that truly unites humanity and nations around the world
Oksana Mas created the opportunity and conditions for each person to be not only an observer but an immediate participant of this collaborative project. A Paradise Eggs fragment can make you part of a larger international community of conscious human beings who are looking to build bridges through the power of art at this exciting time for the world
PARADISE EGGS
Get Paradise Eggs for your collection
Now everyone has the unique opportunity to take part in a large-scale social art project of the world-famous artist Oksana Mas.
Approximately 380 000 people made this project come to life by hand-painting wooden eggs.
Now the Mas studio is carefully disassembling this giant artwork, extracting fragments one by one, and turning them into art objects in their own right – and you can buy these artworks on our website. A team of curators hand-picks the most stunning Paradise Eggs and assigns them a unique ID number. Then each egg receives a certificate of authenticity signed by the artist
The art works are insured against all possible risks during delivery. The proceeds from the sale of Paradise Eggs will be used to continue the project.
Upon project completion, Post vs. Proto Renaissance will consist of a total of 3,480,000 elements. The total weight of the structure will be 300 tons
Become a collector or make a unique gift to someone special
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Become a collector or make a unique gift to someone special
VIEW CATALOG
About the project
The philosophy behind Paradise Eggs
Oksana Mas’ project Paradise Еggs has become a symbol of uniting people of different nationalities in times when the world is so unstable. Politics, wars, civil unrest and pandemics are sucking away the creative energy and are making us all feel anxious and restless. Paradise Eggs are not just a stunning art object. They are a powerful symbol of victory over the feelings of disconnectedness and anxiety by the beauty of the power of unity
Venice Biennale
Post vs Proto Renaissance was featured at the 2011 Venice Biennale
At the 2011 Venice Biennale Oksana Mas presented her unprecedented large-scale project Post vs. Proto Renaissance. This is a monumental piece of art made up of thousands of colorful hand-painted eggs
Featured at the 2011 Venice Biennale
The project was recognised the largest-scale project of the festival
POST VS. PROTO RENAISSANCE
380 000 people were part of the creation process
Featured at the 2011 Venice Biennale
The project was recognised the largest-scale project of the festival
As a part of the 54th Venice Biennale in 2011,
the project was recognized as the largest art installation of the festival
As a part of the 54th Venice Biennale in 2011
the project was recognized as the largest art installation of the festival
Project Post vs. Proto Renaissance
380 000 people participated in the painting of wooden eggs
самая Масштабная арт-инсталяция
Dimension – 92 m high and 132 m wide
The famous Italian art theorist Achille Bonito Oliva became the curator of the Venice project. Post vs. Proto Renaissance continues to represent a cross section of time, an opportunity for self-expression of different co-cultures, a time capsule and a visual archive.
The artist’s incredible eye for detail
Each of the fragments is assembled in a panel of the famous Ghent Altarpiece, which was painted by the Van Eyck brothers in 1432. This Northern Renaissance masterpiece explores the themes of spirituality, mindfulness, and passion. It is with this piece of art that the Renaissance begins.
Left: a fragment recreated from wooden elements Right: a fragment of the Van Eyck brothers’ Ghent Altarpiece
Left: a fragment recreated from wooden elements Right: a fragment of the Van Eyck brothers’ Ghent Altarpiece
Left: a fragment recreated from wooden elements Right: a fragment of the Van Eyck brothers’ Ghent Altarpiece
About the project
SCALE OF THE PROJECT IN CAPITALS AROUND THE WORLD POST VS. PROTO RENAISSANCE IN KIEV
42 countries
People from 42 countries painted wooden fragments for Post Vs. Proto Renaissance
150,000 working hours
To date, the art studio has put in 150,000 working hours. In total, three times more than that will be necessary
38 tons
11 tons of paint were used on wooden "paradise eggs", and the weight of the whole structure is as much as 38 tons
GET PARADISE EGGS FOR YOUR COLLECTION
VIEW CATALOG
GET PARADISE EGGS FOR YOUR COLLECTION
VIEW CATALOG
About the artist
Oksana Mas is a famous international artist. Her artworks have been sold at Sotheby’s, Christie’s and Phillips. Over 2000 artworks are held in private, public and corporate collections